Soundhack Freesound Bundle updated to v9.10 Mac VST/VST3/AU + Win.
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The essay analyses my creative practice via the trope of the periphery-as-uncanny, a virtual space that evokes the disquieting interplay between the familiar and the unfamiliar. Soundhack updates Pvoc Kit and Spectral Shapers to v2.11 for Mac &. ‘Three Sisters’, then, works with ambiguous, threshold spaces that test the limits of perception, authorship, genre, and the categories of literature and music themselves. The use of voices (synthetic and real) at the threshold of hearing also produces an aesthetic of ambiguity with regard to the usual predominance of words. Recording Techniques, People Skills, Gear, Recording Spaces, Computers, and DIY. The ‘un-performability’ of this piece (and others from The Double) is central to the work’s aesthetic, in which literature and music occupy virtual, peripheral spaces. In ‘Three Sisters’, I undertake an innovative form of adaptation that employs sampling and text-to-speech synthesis to place the newly produced text in a complex sonic field of music and sound design. After a discussion of the relationship between music and sounded poetry, this essay discusses ‘Three Sisters’ (from my album The Double, 2017), an audio work based in part on Maria Takolander’s short story of that name (2013). sound design, and music, as an experimental, interdisciplinary form. Collaborative audio literature exists at the periphery of performance, literature. As a form of literary audio ‘content’, such a genre is peripheral to the mainstream audio literary genres of audio books and podcasts. This (self-exegetical) essay concerns ‘collaborative audio literature’, a form of asynchronous collaborative practice that brings together music, sound design, and literary texts. Find, read and cite all the research you need.
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Reverberations brings together a range of perspectives, case studies, critiques and suggestions as to how noise can mobilize thought and cultural activity through a heightening of critical creativity.Written by a strong, international line-up of scholars and artists, Reverberations looks to energize this field of study and initiate debates for years to come. PDF For slightly more than 30 years I have been developing audio software and hardware under the moniker soundhack. Considered in this way, noise is seen as an essential yet excluded element of contemporary culture that demands a rigorous engagement.
The book opens with ideas of what noise is, and then works through ideas of how noise works in contemporary media, to conclude by showing potentials within noise for a continuing cultural renovation through experimentation. This wide-ranging book examines the concept and practices of noise, treating noise not merely as a sonic phenomenon but as an essential component of all. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. Noise permeates our highly mediated and globalised cultures. Jean-Francois Charles ¸ 1 Route de Plampery ´ 74470 Vailly, France A Tutorial on Spectral Sound Processing Using Max/MSP and Jitter For computer musicians, sound processing in the frequency domain is an important and widely used technique.
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